Are Family Photos Snapshots Or Art?
I have vivid memories of working, as a stills photographer, on the Australian motion picture film Summer Coda during a particularly hot summer. Most of the film is set in and around the city of Mildura in far northwest Victoria.
The film was somewhat of a family project with my nephew, Richard Gray, writing and directing the project. Richard’s wife, Michele Davies, was responsible for continuity and dialogue.
Towards the end of the project Richards family: his mum Maree, sister Rachel, their partners Trevor and Dean, and brother Pat spent a few days in Mildura. On a rare day off for me we all crossed the border into NSW and visited the Trentham Estate vineyard for a lovely lunch after which I took Rachel, Dean and Pat down the Silver City Highway, past Wentworth where the famous Murray and Darling rivers meet, and out to the Perry Sandhills.
The above image features, from left to right, Rachel, Dean and Pat surveying the surrounds from atop the first dune. I love the warm colors provided by the late afternoon sun and the way they contrast with the blue sky. The shape and texture of the dunes are important design elements, although they’re somewhat diminished by the footprints, particularly on the right side of the frame.
Leave Only Footprints, But Not In A Photo
Here’s an important point to remember. If you’re a landscape photographer, looking for a portfolio standard image, be sure not to walk into the frame until after you've made your image. Occasionally footprints can add a narrative element to the image, but usually they become a messy visual distraction.
The dunes themselves are actually quite small. You can gain a good overview of them by leaving your car in the second car park and, after about one minute of exertion, cresting the first dune.
We arrived late afternoon. It was hot, but the light Iooked very promising. I would have been happy to wait an extra hour or so and photograph at sunset and dusk, but I had to get the family back to Mildura to see the rushes (i.e., a rough cut of important scenes filmed throughout the week) with Richard, Michele and other members of the crew.
Our visit to the dunes was probably 40 minutes in duration, including the 20 minutes Dean spent trying to help a bunch of folks move their car that, somewhat miraculously, they’d succeeded in bogging in soft sand at the very entrance to the car park. In the end, with plenty of other folk around to help, we got out (I had a 4-wheel drive back then) via a back track. The lesson, if you decide to visit the Perry Sandhills, is that a low to the ground, hotted up car may not be the best option.
The second image features Pat (i.e., Patrick David Gray) at the dunes. I tried to echo the strong shape of his shadow, cast by the low angle of the late afternoon sun, with the V shape of two intersecting dunes on the bottom right corner of the image. In this case I believe the warm tone black-and-white rendering and the relatively deep (i.e., dark) tones present in the background add a powerful mood that contrasts with Pat’s always happy and positive nature.
Duality Is At The Heart Of Heart
I feel this duality (i.e., the contrast between the two) to be what lifts an image like this from a snapshot towards art, where the intention of the maker (i.e., the artist) goes beyond producing a pleasing likeness of the subject. In this case I think I have both, which should keep both the family and me happy.
I’m not saying that I’ve created great art with this picture. What I’m trying to outline is something of the process by which an artist makes art and that good photos, even family photos, can bridge the gap between the snapshot and art. In fact, when well crafted and made with serious intent, they can become art.
There are things that need to be considered whenever a painting, a musical score or photograph is produced. Subject, theme or story; technique; design; tonality; color; and meaning always need to be considered. If you fail with most of these the resulting image will likely disappoint, at some level, you and the wider audience. But if the image lacks meaning, either in your eyes or those of the viewer, then it will remain a snapshot.
Ultimately it’s for you to decide whether you like the picture or not, and whether you’d describe it as a holiday snap or something more. However, a well crafted and meaning rich image will likely connect with a greater audience, beyond the immediate family and friends of the subject depicted.